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Lesson Plan: Calligram

“Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art” UMMA Teacher Workshop, March 22, 2014

Objectives

Students will learn about calligraphy, typography, and calligrams. They will shape text into a work of art and explore how type can be the artwork, going beyond accompanying the image.

 

National Core Standards

  • Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding
  • Convey meaning through the presentation of artistic work


Grades

1-4

 

Time Required

One class period

 

Materials

  • Images of calligrams
  • Paper
  • Ink, brush, markers

 

Lesson

  1. Post images of different types of animals around the classroom: cats, jellyfish, starfish, birds. You may also want to post other natural forms: leaves, water, mountains, sticks, etc.

  2. Explain that students will be re-creating these forms, but not drawing them directly. They will use words to form their design.

  3. Introduce students to the concept of a calligram (calli = beautiful, gram = message). Calligrams use the design and shape of the letters, the ink color, the paper quality, and the frame, to deliver a combined effect and communicate something beyond the message of the letters themselves. French poet Guillome Apollinaire published a book of calligrams, including a poem about the Eiffel Tower and one entitled “Il Pleut (it’s raining),” in which the words fall like rain. Explore the verbal and visual pun in Lewis Carroll’s “The Mouse’s Tale”; it is shaped as a tail, it is written about his physical tail, it is a tale he is telling to Alice. The shape of the poem adds to its meaning. Observe examples of calligrams:

    a. Lewis Carroll’s The Mouse’s Tale, Alice in Wonderland

    b. Guillome Apollinaire, Calligram about the Eiffel Tower

  4. Explain that calligraphy is a way to express both a message and an emotion. For Khaled al Saa’i, “Arabic calligraphy is a medium for expressing feelings, thoughts, and sensations without being tied to the language.” http://www.kashyahildebrand.org/zurich/alsaai/alsaai002.html

    Arabic calligraphy in particular is beautifully shaped. Khaled al Saa’i formed the text from the Qu’ran (Chapter 6, Verse 59) into the shape of a traditional sword. The text states: “With him are the keys of the Unseen, the treasures that none knows but He. He knows whatever there is on the earth and in the sea. Not a leaf does fall but with his knowledge. There is not a grain in the darkness of the earth, nor anything fresh nor dry, but is inscribed in a Record clear [to those who can read].” Why would the artist choose to connect this text with the image of a sword?

  5. To focus more on poetry, students can extend beyond writing one word and explore figurative language. For example, when writing about a leaf, they could write a poem in the shape of a leaf and also:

    a. Imagine it under a microscope and describe the detail (veins like a map to the roots of your lifeblood)

    b. Describe the feel and texture (soft and rubbery in summer; dry, crinkled, brittle in autumn)

    c. Think of sounds it makes, imagine its journey to the ground (swaying, drifting, floating)

    d. Describe the shape (like a teardrop falling from the tree, like a heart)

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Tags
Calligram — by John Turner (October 5 2016 @ 2:46 pm)
Calligraphy — by John Turner (October 5 2016 @ 2:47 pm)
Design — by John Turner (October 5 2016 @ 2:46 pm)
Islamic — by John Turner (October 5 2016 @ 2:47 pm)
Lesson — by John Turner (October 5 2016 @ 2:46 pm)
Poem — by John Turner (October 5 2016 @ 2:47 pm)
Qu'ran — by John Turner (October 5 2016 @ 2:51 pm)
Text — by John Turner (October 5 2016 @ 2:46 pm)
Type — by John Turner (October 5 2016 @ 2:46 pm)

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May 31, 2017 9:22 a.m.

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